this agreement, made between [name], representing gralbum collective, llc, headquartered at [full address] (hereinafter “publisher”), and [name], residing at [full address] representing [artist or band name] (hereinafter “artist”), with respect to the production of audio-visual work entitled[title](hereinafter the “work”), to be produced by publisher encompassing the music of artist entitled [title] (hereinafter “music”). music will be licensed to the publisher solely for use in the work. artist shall indemnify and hold the publisher harmless from any and all claims, liabilities and costs, losses, damages or expenses (including attorney’s fees) arising out of any breach, allegation, claim or failure of any covenants or warranties made by the artist herein. 3. no agreement for the publication of the work or for the disposition of any of the subsidiary rights therein shall be valid without the signature of both publisher and artist. 4. all agreements for publication and disposition of any subsidiary rights in the work shall provide that each party’s share shall be paid directly to him.
if the parties by mutual agreement select an agent to handle the disposition of subsidiary rights in the work, and if the agent is authorized to make collection for the parties’ account, such agent shall remit each party’s one-half share direct to him. if the parties by mutual agreement select an attorney to handle the disposition of subsidiary rights in the work, such attorney’s fees will be split according to the same percentages as specified in paragraph 3 above. if it shall be found or claimed that the work violates an existing copyright, throughout the world, the party which created that portion of the work shall indemnify and hold harmless the other party. this agreement shall be construed and enforced in accordance with the laws of the state of new york. 7. all disputes arising out of this agreement shall be submitted to the american arbitration association and should be decided under new york law.the arbitrator’s award shall be final, and judgment may be entered upon it by any court having jurisdiction thereof.
you have plenty of other options out there and it’s always a good idea to consult with a lawyer to get your own template reviewed and approved before you sign. you hire a music producer to record your work. you hire a music producer to compose and write music for you. you own 100% of the copyrights but agree to give the producer credit, pay them a fee upfront and give them a percentage of future profits.
if you choose option 1 and you’re still waiting on paperwork in 3 weeks time, i strongly recommend you move on to option 2. it’s a subject i’ll research more and cover in a future blog post. the purpose of this post is to give you access to templates so that you can read through them and get an understanding of what they’re for and to provide you with a starting point so that you have something to work with, something to show a lawyer when you book a free consult for example. thank you for your kind words, i appreciate you taking the time to post a comment ???? an absolutely amazing piece of information! i have 2 related questions, that i can’t get any answer to: 1. when i have a full demo and i hire a music producer/engineer to produce/mix/master it for me, and he asks for a 4% of the copyright (the remaining 96% are mine, as i am the sole author). you might want to ask a lawyer and let us know the answer!
royalty split agreement. this collaboration agreement contemplates an arrangement where an illustrator and writer plan to produce a graphic novel. this is a royalty split agreement template. it can be used to record the agreement of several artists regarding ownership of a song and the split of learn how to write up music producer agreements and music split sheets. check out the sample producer contract (royalty-bearing,, master recording split agreement, master recording split agreement, royalty agreement template, music collaboration agreement template, master ownership agreement template.
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